-
Pages
-
Categories
-
Archives
- December 2024
- November 2024
- October 2024
- September 2024
- August 2024
- July 2024
- June 2024
- March 2024
- February 2024
- November 2023
- May 2023
- January 2023
- October 2022
- July 2022
- May 2022
- February 2022
- October 2021
- September 2021
- August 2021
- July 2021
- June 2021
- May 2021
- March 2021
- February 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
In Search for a Bit of Sakartvelo in America
Monastery of St. Davit Agmashenebeli
Robert Blasscyk of Lily Girl Vineyards reached out and contacted me about qvevri winemaking in the country Georgia. Lily Girl Vineyards is located in Tioga, Pennsylvania, close to Rt 15 and the New York border. Robert is very interested in creating a marani and producing traditional Georgian wines in buried qvevris. During our discussion, Robert mentioned that there was a monastery in the Pocono Mountains that has a marani.
Unearthed qvevri
Kathy and I did some searching, and with the help of members of the Georgian DC group on Facebook, we were able to call St. Davit Agmashenebeli (St. David the Builder). The staff had a meeting to attend on the day of our visit, so we walked around the monastery. It wasn’t long before we saw a bit of Sakartvelo, (Georgia).
Turning the left corner at the front of the monastery we spotted a small unearthed qvevri. A short distance away, there was a covered patio that housed the marani. As we walked through the marani, we spotted many of the items we have seen in Georgia. Firewood was stacked along the back close to a tone. We assumed that the monks would make mother’s bread (tonis pure) in the tone. However, this is the United States and next to the Georgian tone there were barbecues. The two together emphasized the old and new world thoughts of food.
Covered marani is open on the sides. Houses the qvevris, press and tone.
A tone is used for baking bread. The dough is slapped onto the inner wall of a hot tone to bake.
Opposite of the tone was the marani. A new-looking wood grape press was made from wood boards and had decorative trim along the top. Grapes would be placed in the press and stomped by foot, the juice directed into a buried qvevri. Most of the wood presses we saw in Georgia were carved from a single tree trunk. They were old and meant to last for centuries.
This wood press was built from lumber with decorative trim along the top.
The marani had six buried qvevri. Based on the diameter of the lids, the qvevris looked to be different sizes. At least four of the six qvevris would be too small to climb into to clean. We saw the cleaning tools, a cherry bark brush and a bowl used to remove water or chacha from the qvevri. We had experience using both of these tools at Twins Wine Cellar in Napareuli. Cleaning our qvevri, that held about 60 liters, involved placing clean water in the qvevri and using the cherry bark brush to clean the sides. Then we used the bowl to remove the dirty water from the bottom of the qvevri. It was too deep to reach the bottom by hand.
Instruments used for cleaning qvevris. The brush is made of cherry bark and used to scrub the inner walls of a qvevri. The bowl can be used to empty the dirty water after scrubbing.
Six qvevris are buried in this marani. This was very reminiscent of what we saw in Georgia.
The monastery marani reminded us of many of the maranis we saw in Georgia. Bricks outlined the circumference of the qvevris openings. The qvevris were sealed with stone. Larger bricks were used between the qvevris openings for the floor of the marani.
We have now seen qvevris buried in Pennsylvania and Virginia. We know of a qvevri maker in Texas. With this year’s harvest, I plan to make a qvevri wine in Maryland with a small qvevri I brought back from Georgia. We have also observed buried qvevris in Croatia and know that some winemakers in Italy, Spain and France are making qvevri wines.
The Monastery of St. Davit Agmashenebeli is in Wilkes Barre, Pennsylvania. We hope to return to see the church. The marani at the monastery was the most accurate representation of what we saw in Georgia. It truly was a bit of Sakartvelo in America.
Cheers,
Terry